"Horn crafts complex relationships between the viewer and her work by installing a single piece on opposing walls, in adjoining rooms, or throughout a series of buildings. She subverts the notion of ‘identical experience’, insisting that one’s sense of self is marked by a place in the here-and-there, and by time in the now-and-then" (art21.org). Horn has received a Guggenheim fellowship and has exhibited work at the Art Institute of Chicago and the Whitney Museum of American Art.
I chose Roni Horn for my blog because we share similar concepts with our work. In a way, the work I'm making feeds into her concepts. In a way I am remaking nature in my own image. I'm shooting the photographs in a documentary style but I'm choosing how to frame images and what to show and what not to show, so in my own way I'm photographing my environments how I want them to be seen or how I think would make them look the most beautiful. I also really enjoyed her methods of presenting work. I like the idea of having a piece in each room or in each building and having a separate experience in each environment. That is the same kind of experience I want to create for my viewers.
"So XII", 1998 |
"Some Thames", 2000 |
"Still Water (The River Thames, for Example)- Image J", 1999 |
"Untitled (Yes), Black", 2000 |
http://www.hauserwirth.com/
http://www.pbs.org/art21/artists/horn/
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